Choosing Gifts with Meaning with Architectural Designer Mitchell Sweibel

Tell us about your journey into architectural design and what initially sparked your interest in the field.

The curiosity started with my grandfather, Morry. He was a painter. I would hang out a lot in his studio. I remember going to his art shows and he’d take me to museums. My mother worked in fashion and my aunt was an architect, now photographer. So that side of the family had a big influence, teaching me to develop my eye. I knew from my grandfather that I liked the world of art and design, I just wasn’t sure how to jump in. After business school, I went back to school to study interior design, I loved it and felt there was more to learn so I returned to school to do a Master’s in Architecture.</h4>

Where do you typically draw inspiration from for your work, and how do you translate that creativity into your day-to-day projects?

Inspiration for me is always localized; it’s very site-specific. I enter a project without preconceptions; the inspiration tends to reveal itself. I try to replicate an attribute or an emotion that I have experienced in my life.

Project Victoria designed by Mitchell. Photography by Alex Lesage.

When it comes to choosing gifts for loved ones, what do you prioritize? Is there a specific thought process or inspiration behind your selections?

It’s tough selecting gifts. I way overthink it. Usually, I pick objects that I think fit their home. Simple objects, things with character or curiosity. Maybe a bowl, candle holders, trays, things like that. If it’s someone that cooks, I might bring a basket from my vegetable garden.

Do you tend to gravitate toward handmade or custom-designed gifts?

I tend to gravitate towards the handmade. I like to support the craftspeople — I appreciate their process.

Is there any overlap between your approach to design and the way you choose gifts?

The way I approach design is very contextual; it’s not limited to a particular style, and I think the same way when it comes to gifts. I am partial to things that are handmade, natural, and textural.

"One of the most memorable gifts I've received is this ceramic plate by Antonio Marras."

How important is storytelling or a sense of narrative when selecting gifts?

It’s the most important. I think a gift is truly memorable if there’s a story behind it.

Has your perspective on gift-giving evolved over the years?

I feel the same as before, that a gift is most meaningful when there’s a memory that goes along with it. Nowadays, I’m more perceptive to details, like packaging, typeface, materials, everything really. I’m very curious about the maker and the narrative behind it.

Featuring Ezcaray Picasso Throw, Fritz Hansen Dania Cutting Board, Niwaki Hori Hori, ANUT Dotty Leaves Tray (coming in Spring 2025), Frama 1917 Sphere Oil Diffuser.

Are there any specific design principles or values that you consider when selecting gifts, similar to how you approach your projects?

I'm paraphrasing Adolf Loos here, but it should be functional in order to be beautiful.

In your opinion, what makes a gift truly unforgettable, especially during the holiday season?

A gift with a personal connection is the most memorable gift of all.